[06:26.00]Someday hell come along, the man I love
[06:26.00]And hell be big and strong, the man I love
[06:26.00]And when he comes my way
[06:26.00]Ill do my best to make him stay
[06:26.00]Hell look at me and smile,
[06:26.00]Ill understand
[06:26.00]
[06:26.00]And in a little while hell take my hand
[06:26.00]And though it seems absurd
[06:26.00]I know we both wont say a word
[06:26.00]Maybe I shall meet him sunday
[06:26.00]Maybe monday, maybe not
[06:26.00]Still Im sure to meet him one day
[06:26.00]Maybe tuesday will be my good news day
[06:26.00]Hell build a little home, just meant for two
[06:26.00]From which well never roam; who would, would you?
[06:26.00]And so all else above Im waiting for the man I love
[06:26.00]The man I love had the odd distinction of becoming a recognized standard despite its having been (1)
[06:26.00]Thrown out of the musical for which it had been written
[06:26.00](lady, be good! in 1924); (2) sung in a show that flopped on the road (the 1927 strike up the
[06:26.00]
[06:26.00]Band); (3) added to and then cut from a third musical
[06:26.00](rosalie); (4) rejected when strike up the band was successfully revised in 1929. the reason for
[06:26.00]The last situation was ironic: the song had become too well
[06:26.00]Known!