by Richie UnterbergerWhile it is generally true that many of Richman's post-1980 albums are all but interchangeable, with their earnest naive cheerfulness, this stands as one of the best, if you like his schtick and need to make a choice. The production is sparse, accentuating the acoustic guitar and the doo wop harmonies (both male and female), with light but purposeful drums. Jonathan covers his usual terrain here: juvenilia ("My Jeans,""The U.F.O. Man,""Chewing Gum Wrapper"), cultural heroes ("Vincent Van Gogh,""Walter Johnson"), and optimistic paeans to the simple pleasures of life ("The Beach"). Heart-warming and melodic stuff that might well sound insipid in the hands of others.