by Steve LeggettCésaria vora, Cape Verde's"barefoot diva," has perfected her native morna style, and with her deep, soft-burred tenor, has gained an international audience for her blues-steeped laments. Voz d'Amor features several mornas, but up-tempo coladeras, as well, most notably the striking"Velocidade," written by Luis Morais, the father of modern Cape Verdean music, which spotlights a vocal choir and a lively lyrical clarinet line. But slow-burning, sad songs are vora's specialty, and there are several striking examples here, including a cover of"Beijo Roubado," first recorded by Brazilian singer ngela Maria. The opening track,"Isolada," a morna written by vora's uncle, the poet B. Leza, features mandolin by Hamilton de Holanda and is perfectly suited to vora's warm, honey-tinged voice. The single most striking track is the beautiful lament"Marde Canal," a traditional Cape Verde melody with lyrics from Fernando Andrade about the beauty and treachery of the sea channel between Sao Vicente and Santo Anton. vora's vocal here is sad, resigned, and wise, by turns. Voz d'Amor is another fine collection from a remarkable singer.