by Jason AnkenyThough dismissed by the group themselves as"f*cking awful" and"the worst record made this year," the Beta Band's self-titled album otherwise defies simple criticism -- seemingly infinite in its sonic complexities, it's an album of remarkable density and detail, a brashly schizophrenic freak-out which weaves its way throughout the history of rock & roll. Pop, blues, folk, psychedelia, hip-hop -- they're all here, sometimes even colliding within the same song; the disc somehow sounds almost completely different with each successive listen, consistently revealing new layers and possibilities. It all constantly runs the risk of collapsing into complete self-indulgence, but in its way the Beta Band's genius is their wanton disregard for niceties like verses, choruses, and melodies; rejecting musical theory in favor of the chaos theory, the album's neither a masterpiece nor a mess, but both.